Above: A view of the Academic Quad’s new trees, which inspired the Mayers
Jan and Frederick R. Mayer ’45 have recently made a generous gift to the Academy that will fund the first stages of the landscape master plan. For the Denver-based Mayers, who are enthusiastic supporters of the visual and performing arts and major art collectors in their own right, the leap from canvas to campus was not a difficult one to make.

“I went to Exeter a long time ago, when the campus was teeming with gorgeous trees,” says a reminiscent Fred. “But those disappeared and the school never replaced them. Later, as an Academy trustee, I would sit in this one particular corner of the Latin study during meetings where I could look out at the landscape, and it just looked sad. Of course, I’m competitive enough that when friends who had attended other New England prep schools talked about how beautiful their campuses were, it made me mad because I felt the condition of our campus was making us look bad.”

Over the years, Fred’s wife, Jan, who often attended trustee meetings with him, also developed a strong interest in and fondness for the Exeter campus, and she, too, noticed its progressive deterioration. “We came back at least three times a year during my trustee years,” says Fred, “during all seasons of the year. The campus just came to look dreary to us, like an unmade bed.”

Fred and Jan, who’d originally made a provision for Exeter’s campus in their will, decided during the summer and fall of 2001 that the situation was in need of a more immediate remedy. Inspired by the planting of more than 50 trees in the Academic Quad, Jan and Fred have redirected their resources toward beautifying the Exeter campus. Coupled with a gift from a donor who wishes to remain anonymous, the Mayers gift will allow the first few phases of the master plan to move forward.

Asked if there is a connection between his love of art and his interest in beautifying Exeter’s campus, Fred says, “I love things that are artistic and pleasant to look at, and before the initiation of the landscape master plan, Exeter’s campus didn’t really fit either of those categories.” Fred also notes that a painting hanging in the living room of his Denver home, by 19th century American artist George Inness, may have influenced his decision. The painting, entitled “Approaching Storm,” is of a bucolic landscape. Describing it, Fred notes, “There are rolling hills and the leaves on the trees are just beginning to change. It reminds me of New England, of a scene in Vermont or New Hampshire. It’s just a gorgeous painting and one I look at every day when I’m in Denver. I’m sure subconsciously there’s a connection between that landscape and Exeter’s.”

Above: Jan and Frederick R. Mayer ’45

 

Thanks to Fred and Jan’s foresight and generosity, a few years down the road, the Exeter campus may just take on the look of an Inness painting, which is one return to the past that Fred would welcome.

 


 

Left: Thomas Hart Benton, Haystack, lithograph, ca. 1936—one of the American prints from the Mayers’ collection that was exhibited at the Lamont Art Gallery during fall term 2001